Robert Fletcher, the good designer for Star Trek and many different movies, died on the age of 98 on April 5, 2021,according to Deadline. Fletcher had been nominated for 4 Saturn Awards for his work on Star Trek: The Motion Picture, The Wrath of Khan, and The Search for Spock, and he received for his costume design on The Voyage Home.
Fletcher was a prolific designer who created costumes for Broadway, opera, and tv. He was additionally a three-time Tony Award nomineeand a Harvard University graduate. He donated a lot of hispapers and notes to the school, the place followers can request to view them immediately (in individual). The assortment consists of “design drawings, sketches, roughs, plans, lists, blueprints, photostats, pictures, notes, in addition to associated correspondence, applications, and further ephemera.”
He created the search for the primary Trek movie crew however then fully redesigned every part for the flicks that adopted. Since the Trek sequels have been performed with a really low funds (as detailed here by Screenrant), Fletcher achieved this redesign by dying the old uniforms. According to Forgotten Trek, a sequence of assessments revealed that the old, grey uniforms might be dyed purple, blue-gray, or gold.
On the Wrath of Khan blu-ray disc extras, Fletcher spoke about among the choices that went into designing the uniforms, which followers now name the “Monster Maroons.”
“Nick Meyer was a really mental man, who was extraordinarily keen on opera,” mentioned Fletcher. “And he knew that I had designed various operas. Operas are typically very full-blown and non-realistic, and melodramatic. I believe that is very true of The Wrath of Khan … besides that no person sang.”
“Nick needed one thing a bit hotter, extra navy, much less modernistic or no matter phrase you would possibly apply to the design of the primary one,” mentioned Fletcher. “I went off to my tent, and I made these sketches, which have been purple and made of various items with many extra emblems and badges.”
In this documentary, Wrath of Khan government producer Harve Bennett talked about that he was unsure how followers would react to the brand new look of Kirk, Spock, and the remainder of the crew.
“And I confess … [I thought] we’re going a bit far right here,” Bennett mentioned after viewing among the Monster Maroon designs. “The Star Trek of us should not gonna like this Napoleonic [or] Teutonic type of look.”
“But as historical past reveals, that grew to become the look not just for the subsequent photos, however for The Next Generation, and generations but to return,” mentioned Bennett.
Fletcher additionally created the symbols that most of the crew wore in Khan. Before this, there was no uniform or medal information for Star Trek, so Fletcher made one.
“When I first got here in, there was no coherent schedule of ranks,” Fletcher mentioned on the Khan further video. “You know, if you go into the Army, or the Air Force, or the Navy, you could find a e-book that illustrates all of the recognized ranks, their varied divisions. The method the Army is organized, the colours which are used, and so on and so forth.”
“There was nothing actually set about Star Trek, so I proceeded to jot down my very own little handbook, selecting the assorted symbols for the ranks and badges for the ranks,” mentioned Fletcher. “And it grew to become a type of sport… it was so enjoyable to do. I obtained questions from the Trekkies about ‘what did this imply’ and ‘what did that imply’… so I invented it. I made it up immediately.”
In the video, Fletcher shared that Star Trek creator Gene Roddenberry was not precisely a fan of what he was doing with the uniforms or his military-style rating system.
“Roddenberry was way more of a dreamer and theoretician,” mentioned Fletcher. “He did not prefer to get too shut or linked to the nitty-gritty particulars on what something means. In truth, [Roddenberry] objected to an excessive amount of militarism. And once I put extra of it in, I do not assume he was notably happy. I used to be actually doing it for the director slightly than for him.”
Part of the problem for Khan and his crew was to outlive on a barren planet. Fletcher used that data to design acceptable costumes for Khan and his devotees.
“I thought of their predicament,” mentioned Fletcher within the documentary. “They’d been cast away on this planet with no infrastructure and with no supply of clothes. It was the ship that they cannibalized.”
“And so once I made a selection of one thing, I attempted to make it as if it had been formally a part of the ship or issues that that they had woven or made out of or digital gear or wiring,” mentioned Fletcher. “That was the supply of the Bedouin masks that Khan first appeared in.”
Though the Monster Maroons lasted till Star Trek: Generations, Fletcher’s designs lasted effectively past the movies. The look of the Klingons that he created went into TNG, Deep Space Nine, and different sequence.
Fletcher was charged with updating and redesigning the Klingons for The Motion Picture. The species appeared in The Original Series, however their costumes and make-up weren’t fairly alien-looking. Asreported by Memory Alpha, the look was considerably designed based mostly on the looks of Genghis Khan.
The model of the Klingons recognized immediately was based mostly partly on Fletcher’s thought or a “bushy lobster.”
“I used to be actually pondering of lobsters,” Fletcher mentioned onThe Captain Logan Showin 2017. “A lobster has his skeleton on the skin, so the logic is that you just pursue that to a civilization that derives from folks with their skeletons on the skin.”
Fletcher took the work performed by TOS designer William Ware Theiss and up to date them for the Trek movies. According toStar Trek fan and writer Scott Lukas Williams, Theiss’s designs, particularly from the TOS episode Amok Time, set the template for what Fletcher created for the movies.
One of Fletchers’ touches to the Vulcan costume design was including jade and different treasured gems.
According to Memory Alpha, Fletcher “imagined that, as a result of their homeworld was wealthy in jade, the Vulcans made in depth use of that substance, akin to with ruby jewellery and a red-colored big statue is seen on the planet’s floor.”