Emily In Paris Flew Golden Globe Judges to Paris: Corruption Suit

Screenshot: Emily In Paris/Netflix (Fair Use)The 2021 Golden Globe Award nominations have been introduced at the start of this month, they usually have been utterly confounding: Emily In Paris, an objectively unimaginative show, obtained two nominations whereas the critically acclaimed I May Destroy You was completely snubbed. Three ladies have been nominated within the Best Director class (Regina King, Chloé Zhao, Emerald Fennell), however the yr’s Black-led Oscar contenders like Da 5 Bloods, Ma Rainey’s Black Bottom, and Judas and the Black Messiah, didn’t obtain Best Picture nominations. None of this made any sense, and the Los Angeles Times has uncovered why: The Hollywood Foreign Press Association (HFPA), the non-profit comprised of the 87 critics answerable for the Globe nominations—none of whom are Black—accepts “hundreds of {dollars} in emoluments” from studios they award, making a “tradition of corruption,” in accordance to a lawsuit filed by Norwegian leisure journalist Kjersti Flaa.In its investigation, the Times discovered that the tax-exempt non-profit had been directing a few of its supposedly philanthropic funds to members—and that HFPA members accepted “fee from studios and producers for representing movies and lobbying different HFPA members for Golden Globe nominations and awards for these movies,” in accordance to a lawsuit filed by former HFPA publicist Michael Russell. That conduct is why Emily In Paris is suspect: the publication discovered that over 30 HFPA members have been flown to France to go to the set in 2019, and to be handled to a particularly luxurious press junket. From the article:While there, Paramount Network handled the group to a two-night keep on the five-star Peninsula Paris resort, the place rooms presently begin at about $1,400 an evening, and a information convention and lunch on the Musée des Arts Forains, a non-public museum full of amusement rides courting to 1850 the place the show was capturing.“They handled us like kings and queens,” mentioned one member who participated within the junket, which was additionally attended by different non-HFPA media. (A contract contributor to The Times additionally visited the show’s set and interviewed its creator, Darren Star.)…One HFPA member says the show’s greatest sequence nod factors to a broader credibility problem for the group. “There was an actual backlash and rightly so — that show doesn’t belong on any better of 2020 record,” mentioned this member, who didn’t attend the junket. “It’s an instance of why many people say we want change. If we proceed to do that, we invite criticism and derision.”Paramount and Netflix have but to remark. That positive is a few… promotional tactic? Read the complete report from the Los Angeles Times right here.
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