The enigmatic, pseudo-anonymous, retro-futuristic French digital duo Daft Punk has damaged up, the group introduced on Monday in basic kind — wordlessly, via music and iconography, in a YouTube video referred to as “Epilogue.”
A publicist for Daft Punk, (*28*) Frazier, confirmed the breakup and mentioned there could be no additional remark right now.
Founded by the previous indie-rock bandmates Guy-Manuel de Homem-Christo and Thomas Bangalter in Paris in 1993, Daft Punk went on to win six Grammy Awards (together with album of the 12 months for “Random Access Memories” in 2014); collaborate extensively, with decade-spanning artists from Giorgio Moroder to the Weeknd; and affect numerous different producers, D.J.s, rappers and pop stars with its devotion to mystique and its distinctive mix of home, techno, pop, disco and rock.
“The duo’s defining balancing act has been breaking new floor whereas concurrently invoking earlier golden ages of membership music, like disco and Nineteen Eighties electro-pop,” the critic Simon Reynolds wrote in The New York Times in 2013, when Daft Punk granted a rare interview.
Since the late Nineteen Nineties, the duo has offered itself as otherworldly and uninterested within the trappings of fame or celeb, donning robotic helmets that will turn into its trademark (Bangalter usually in silver, de Homem-Christo in gold), and infrequently saying something in any respect.
When the lads collected their trophy for “Random Access Memories” on the Grammys — one among 4 they gained that evening, bringing their profession whole to 6 — the musicians Paul Williams and Nile Rodgers, who labored on the album, spoke as a substitute.
In the “Epilogue” video saying Daft Punk’s demise, which was taken partially from the group’s 2006 movie “Electroma,” the 2 members are seen strolling collectively within the desert in matching motorbike jackets.
When they arrive head to head, the one within the silver helmet removes his jacket, which is adorned with the Daft Punk brand, and the opposite presses a button on his again that begins a 60-second timer. As it counts down, he walks away, by no means wanting again, and is then blown aside, breaking into items that resemble a machine greater than a person of flesh and blood.
The music “Touch,” from “Random Access Memories,” begins enjoying — “Hold on,” go the lyrics, “if love is the reply, you are residence” — because the remaining bandmate walks into the sundown. The years 1993 to 2021 flash on the display screen.
Daft Punk launched its debut album, “Homework,” on Virgin Records in 1997, discovering unlikely worldwide hits in “Da Funk” and “Around the World.” The duo’s follow-up, “Discovery,” got here out in 2001 and included singles like “Harder, Better, Faster, Stronger” (later sampled by Kanye West) and “One More Time.” In 2005, the group launched “Human After All,” touring extensively within the two years after, together with a memorable efficiency atop an elaborate light-up pyramid at Coachella in 2006 that was Daft Punk’s first live performance within the United States in almost a decade. A stay album from this era, “Alive 2007,” later gained the Grammy for greatest digital/dance album.
In the years that adopted, at the same time as its fantasy grew and so-called E.D.M. D.J.s and producers turned a billion-dollar enterprise, Daft Punk retreated considerably from the sample-based dance music it helped popularize. For “Random Access Memories,” which might be launched by a brand new label, Columbia Records, the group used famend session gamers and sought to make “each sound from scratch, making a sonic world from the bottom up,” Bangalter instructed The Times.
“In some methods it is like we’re working on a freeway going the wrong way to everyone else,” he mentioned, including: “Computers had been by no means designed within the first place to turn into musical devices.”
“Get Lucky,” the album’s lead single that includes Pharrell Williams, would go on to turn into the group’s most profitable music to this point, hitting No. 2 on the Billboard Hot 100. Daft Punk later achieved its first and solely profession No. 1 as visitors on “Starboy” by the Weeknd, which they carried out (together with one other collaboration, “I Feel It Coming”) on the Grammys in 2017. It could be their closing show.