Chanel Resort 2022 Collection | Vogue

For her graphic Chanel cruise assortment Virginie Viard sought inspiration in Provence, that lovely area within the south of France lapped by the marshy Camargue and topped by the hills of Les Baux-de-Provence, thought of one of many space’s loveliest villages. Specifically, she set the gathering within the Carrières de Lumières (Quarries of Light) in Les Baux, a collection of chalky, cave-like rooms—the areas left behind after centuries of excavations.These huge chambers have lately been used to current resonant sound and lightweight reveals evoking the world of assorted artists together with Vincent van Gogh, who discovered inspiration within the native panorama. (Charlotte Casiraghi, internet hosting a literary salon through the presentation, has spent a lot of her life in close by Saint Remy).In 1960, nevertheless, Jean Cocteau—the sui generis artist, poet, and filmmaker who cast a protracted shadow throughout the worlds of tradition and elegance in twentieth century France—used these quarries as a setting for his hauntingly lovely film The Testament of Orpheus. It’s “so trendy, so recent, and so sturdy,” says Viard, who watched the film, which options Cocteau himself, with cameos from his lover Jean Marais, Pablo Picasso, and Yul Brynner, amongst others, as she started engaged on the season. “The film actually impressed the gathering,” Viard added. “When I got here to see the quarry once more—I’d been years in the past, earlier than it was used for the son et lumiere—I noticed that the garments needed to be sturdy, and black and white. Otherwise we might be in Petra or Egypt. I like ruffles for the couture,” she continued, “however I assumed it will not look trendy right here.”Gabrielle “Coco” Chanel counted Jean Cocteau amongst her intimates; he produced some evocative portraits of her and illustrations of her garments, and in flip she costumed productions of his performs Antigone, Orpheus, and Oedipus Rex. The buddies would typically hand around in Chanel’s daytime house on the Rue Cambon, and Viard was excited to learn the letters that Cocteau despatched to Chanel. The house has lately emerged from an in depth restoration, and Viard sought inspiration within the very private bestiary that Chanel assembled there: The lions for that well-known Leo, camels, doves of peace, fauns, and the feminine sphinxes that every one seem in objects and sculptures within the house have been reimagined as graphic prints on denim with a hand-painted look, and as fortunate charms used as embroidery within the new assortment.
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