In at this time’s Global Bulletin, Red Ant Media and Content Catalyst Fund crew to advertise girls creatives working in unscripted; Abacus Media Rights secures rights to “Four Hours on the Capitol”; La Biennale di Venezia opens the decision for candidates to this yr’s Venice Gap-Finance Market; Goldfinch picks two online game IPs to develop as movie and TV initiatives; and Fremantle acquires “Good With Wood” in a number of key territories.
International manufacturing, distribution and channel operation firm Blue Ant Media will accomplice with Julie Bristow’s not too long ago launched growth and funding outfit Content Catalyst Fund (CFF) to develop, produce and distribute female-led unscripted content material for the Canadian and international marketplaces.
CFF will deal with scouting and figuring out standout unscripted mission concepts for growth and eventual manufacturing, specializing in true crime, way of life and documentary sequence. Blue Ant will then step in and produce and finally distribute the chosen initiatives in collaboration with CFF, with Bristow appearing as government producer.
“Partnering with CCF and Julie gives us a novel alternative to carry new voices and initiatives to Blue Ant Media and the world,” stated Laura Michalchyshyn, CCO and co-president of worldwide content material manufacturing at Blue Ant Media. “Not solely will this three way partnership enable us to develop the unscripted aspect of our enterprise, particularly in well-liked genres like way of life, docu, actuality and format programming, however it is going to additionally place us on the forefront of progressive, sensible new content material created by girls.”
Bristow added: “CCF’s curation and growth experience, and the manufacturing and distribution clout of Blue Ant Media, gives feminine creators a strong new alternative to turbocharge their concepts and roll them out internationally. This announcement is only the start: CCF plans to bolster its government manufacturing capability with expertise that may carry a wealth of information and expertise that features shopping for and promoting thrilling initiatives in North America and all over the world. This will enable us to provide our new pipeline of female-generated, unscripted programming the easiest begin in life.”
Abacus Media Rights has picked up worldwide rights outdoors the U.Okay. on the upcoming documentary “Four Hours on the Capitol,” produced by Emmy Award-winning producer Dan Reed (“Finding Neverland”) and directed by Jamie Roberts (“The Rise of the Murdoch Dynasty”).
Commissioned by BBC Two, the 90-minute documentary is a full investigative account of the Jan. 6 assault on the U.S. Capitol, together with a deep dive into its premeditated group. Opting in opposition to voice-over, the function is narrated as an alternative by the contributors and insiders by means of interviews and photographs taken on the day.
La Biennale di Venezia has opened the decision for its 2021 Venice Gap-Financing Market, which is able to stay open to candidates by means of May 16. The Market itself runs Sept. 3-5 inside the framework of the 78th Venice International Film Festival.
As many as 33 feature-length movies will probably be chosen to take part on the Market, together with 3 Biennale College Cinema initiatives, joined by 10-12 VR initiatives. Attendees will probably be invited to a sequence of one-on-one conferences with producers, gross sales brokers, distributors, financiers, broadcasters and fund representatives.
U.Okay. manufacturing home Goldfinch has tapped Red Thread’s “Draugen” and Tequila Works’ “Gylt,” two well-liked online game IPs, as potential movie and TV initiatives for growth and manufacturing on the firm.
Both video games had been developed utilizing Epic Games’ Unreal Engine, which has partnered with Goldfinch on a growth program partnership for online game properties since Oct. 2019. Goldfinch will now work with the Talenthouse inventive neighborhood to create pitch therapies for the 2 chosen video games, together with a 90-second trailer which will probably be shared on the Cannes Film Festival this summer time.
Fremantle, Plimsoll Productions and Magnify Media have closed a multi-territory deal on the favored unscripted format “Good With Wood,” a contest sequence that shines the highlight on carpentry.
Shot in a purpose-built woodshop within the U.Okay. forests, beginner woodworkers professionals at the start of their careers are tasked with massive scale builds which is able to check their talents right down to the smallest particulars. Over a number of weeks, the co-habituating contestants are whittled down because the builds get harder from episode to episode.
The format, produced by Plimsoll, was picked up by Fremantle from Magnify Media for Italy, Spain, Portugal, France, Hungary, Belgium, Netherlands, Denmark, Sweden, Finland, Norway, Poland, Israel, India, Indonesia, Mexico and Australia. “Good With Wood” will start broadcasting on Channel 4 within the U.Okay. this spring.