Busting ghosts continues to be a reasonably profitable enterprise after virtually 40 years.
Heading into Thanksgiving weekend, the newest try and revive “Ghostbusters” drew a large viewers to theaters, whereas the awards darling “King Richard,” like most dramas within the pandemic period, is struggling.
With a reverence for nostalgia and some high-profile cameos in its arsenal, “Ghostbusters: Afterlife” opened above business expectations with $44 million in ticket gross sales from 4,315 places, in line with studio estimates Sunday. The Sony film is taking part in completely in theaters.
“Afterlife’s” first weekend is definitely trailing that of Paul Feig’s “Ghostbusters” with Melissa McCarthy and Kristen Wiig, which had a $46 million opening in June 2016. Aside from the considerably unpredictable pandemic-era moviegoing habits, the essential distinction is that “Afterlife” price about half as a lot to make.
The weekend’s different high-profile providing didn’t fare as properly. “King Richard,” the well-reviewed drama starring Will Smith as the daddy of tennis greats Venus and Serena Williams, earned $5.7 million from 3,302 places, lacking its modest expectations by virtually half. The Warner Bros. movie was launched concurrently on HBO Max and in theaters.
Although conventional blockbusters have managed to attract respectable audiences, dramas have disproportionately struggled through the pandemic. Most have debuted within the $3 million vary. One of the extra profitable launches was the Aretha Franklin biopic “Respect,” which opened to $8.8 million.
Meanwhile, in restricted launch from A24, Mike Mills’ “C’mon C’mon” had among the best restricted platform debuts since February 2020 with $134,447 from 5 screens. The movie stars Joaquin Phoenix as man taking care of his 9-year-old nephew.
Follow AP Film Writer Lindsey Bahr on Twitter: www.twitter.com/ldbahr
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